In her work Meris Angioletti investigates the relationship between mental mechanisms and linguistic forms, revelation and concealment, and film space as a ritual space, all derived from various kind of narrative schemes. Her work (video, performance, photographs, collage, tapestry), has always dwelt in the indistinct space between art and science, a space where it is difficult to distinguish creative process from scientific method.

Meris Angioletti was born in Bergamo in 1977. She lives and works in Paris. After having studied at the Brera Academy and at CFP Bauer, she was artist-in-residence at Le Pavillon-Palais de Tokyo and at the International Studio and Curatorial Program in New York.

Recent shows: 2019, Le jour des esprits est notre nuit, CRAC Alsace, Altkirch, 2019, La morale dei singoli, doutdo 2018-2019, curated by Andrea Viliani, Palestra Grande, Parco Archeologico di Pompei 2018;

FormePensiero (solo), Otto Zoo, Milan; 2017, L’anneau et le livre (solo), YGREC, Paris;2016, Le Grand Jeu (solo) FRAC Champagne-Ardenne, Reims; 2015, Nietzsche, Cyclists and Mushrooms, Kunstraum Riehen, Riehen (CH); 2014, Un nouveau festival, Centre Pompidou, Paris; 2013, Langages: Entre le dire et le faire, Fondation Calouste Gulbenkian, Paris, L’apparition des images, Fondation d’entreprise Ricard, Paris; 2012, A iminência das poéticas – 30th São Paulo Biennial; 2011, La Galérie, Noisy-Le-Sec (solo), IllumiNations –54th Venice Biennial; 2010, 21×21, Fondazione Sandretto Re Rebaudengo, Turin, Rudolf Steiner und die Kunst der Gegenwart, Kunstmuseum Wolfsburg, Wolfsburg; 2009, I describe the way and meanwhile I am proceeding along it, Fondazione Galleria Civica di Trento (solo), Ginnastica Oculare, Gamec-Galleria d’Arte Moderna e Contemporanea, Bergamo (solo); 2008, T2-Le 50 Lune di Saturno, Turin, Heavier then air, ITCA_Re-reading the future, Triennale di Praga.